Trapped in the middle of the world-shaking Panama Papers scandal, Ana Mendez must fight the system, the global media and her own ethical compass to try to restore her reputation and save her family.

1991年初，我注意到“报纸”作为动画素材的可能性。 　　这是8毫米胶片的作品。周一将胶片送到照片店，最快周五才能看到初剪的成果。 　　在这段时间里，自己对作品完成的期待值不断提升。 　　一个人居住的房子里，狭小的一居室，白色墙壁上投影着画面，静止的文字和微微移动的中间文字！我轻松地跨越了提高的难度。 　　至今，我仍然追寻那时的感动，继续创作作品。

Trapped in the middle of the world-shaking Panama Papers scandal, Ana Mendez must fight the system, the global media and her own ethical compass to try to restore her reputation and save her family.

PAPERS 　　In early 1991, "newspaper" caught my eye as a material for animation. 　　8mm film work. I took it to the photo shop on Monday and the rush 　　The earliest it will come up is Friday. In that time 　　The hurdles are getting higher and higher. A house where I live alone, a video projected on a white wall of a small one-room room by a projector, a character that does not move, and a character that moves subtly in the middle! I jumped over the raised hurdles with ease. 　　Even now, I am chasing the excitement of that time and creating works. 　　(Please enjoy in HD quality)Production year 1991. 　　I am translating into English using translation software. 　　1991年初頭、アニメーションの素材として目に付いた「新聞紙」。 　　８ミリフィルムの作品。月曜日に写真屋さんに持って行ってラッシュが 　　上がってくるのは早くて金曜日。その時間の中で自分の中では出来上がりの 　　ハードルがどんどん上がってきます。独り住まいの自宅、狭いワンルームの白い壁にプロジェクターでかかった映像、動かない文字と微妙に動く真ん中の文字！あがったハードルを余裕で飛び越えて行きました。 　　いまでもこのときの感動を追いかけて作品をつくっています。 　　（HD画質でお楽しみください）1991年制作

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